PRATT-SILS LIS 696   NYPL collections courses                                              Carrère & Hastings: Public Library, NYC, 1905
Institute on Special Collections at the New York Public Library,  
a collaborative program between NYPL and Pratt-SILS - Summer I

Instructors: Phil Yockey & Michael Inman  Special Collections, NYPL  
212-647-7682;
infosils@pratt.edu
Pratt Institute Library

TALBE OF CONTENTS
About the Institute

Goals and Objectives

SCHEDULE of CLASS MEETINGS & TOPICS
Grading
Project Description
Collection suggestions  
Reading List
Student Class List

Resources on the Web Libraries
New York Public Library
Pratt Institute Library
Databases
Wilsonweb
Firstsearch
Dialog
Literature & History
American Literature
Chronology - Index
PAL Perspectives in American Literature, A Research and Reference Guide.
American Authors 

The Cambridge History of English and American Literature:  Encyclopedia in Eighteen Volumes.1907–21

American Literature, 1860-Present

HTI American Verse Project

Rutgers - History - American and British

 About the Institute
Now in its 10th year, the Institute on Special Collections at the New York Public Library is an intensive 10 day, 3-credit course introduced for Pratt Institute students in the School of  Information and Library Science and is made possible through the cooperative efforts of both institutions, NYPL and Pratt, working together in consort with NYPL's distinguished special collections librarians and curators.
Experiencing and Using Special Collections
In an time when increasingly educators turn their attention to the provision of distance education via the Internet, the Institute takes on special significance for the way in which students learn and experience primary source materials and information. Rather than a digital diet, they feast on collections of one of the great research libraries world-wide, use primary source material, make discoveries and new learning connections, attend presentations by leading scholars/librarians, discuss special collection librarianship with distinguished professionals, exchange ideas with fellow students, and share experiences. 
Collection-based Research - topics based on collection research
Students begin by selecting a collection from which they develop a topic. In addition, students explore their topic across a range of collections from rare books and manuscripts to prints and photographs.  A guiding concept of individual student projects, is to encourage students to experience collections based on their analysis and interpretation of ways in which a wide range of documentation expresses their topic which, in turn teaches students about information process and creation.
Applying Knowledge Gained - Subject Guide/Catalog 
The knowledge gained in the course is expressed in student projects in the form of illustrated subject guides based on individual guided research.
Connecting the Real and the Virtual
Through use of the rich electronic resources of the library including online catalogs and inventories, collection Web pages, and humanities databases, students will experience the connection between the real and virtual and see how the latter enhances and supports humanities research.  Students tour NYPL's digital library lab. and meet with its director for talks and discussion. 
Understanding Special Collections Librarianship
Students gain understanding in humanities librarianship from the dual perspectives of librarian and researcher and pursue individual research projects with an emphasis on how library resources are used to document and enrich knowledge of a topic  They experience the many ways special collections communicate meaning, ideas, and information, and experience their topic from the perspective of a wide array of library materials.
Goals and Objectives -  

Students will:

  • understand how special collections content represents and defines a subject.
  • carry out research across collections to understand how format and media differently express aspects and perspectives of a topic.
  • work with a wide variety of primary source materials as well as books and serials.
  • gain understanding of organization, access and retrieval for speical collections and apply it to project research.
  • understand and apply humanities research methods & principles to produce a users guide.
  • select, evaluate, interpret and assign meaning to representative subject material.
  • understand how technology impacts the way in which we manage and use special collections.
  • use electronic resources for collection research.
  • view special collections from the dual perspectives of user and librarian to gain insight into current issues.

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Grading
Attendance and participation - 15%
Because this is an intensive course, students are required to attend all sessions.
Students are expected to arrive 10 minutes before all group sessions scheduled with NYPL librarians, curators and staff.  Seminar sessions on issues and special collections librarianship are important opportunities for students to participate in discussion and to ask questions.



Project - 75%  
Carefully read project description to make sure that you include all required elements.

Students will have ample opportu nity to discuss the project and ask questions during class meetings and will be able
also to consult the instructor individually as needed throughout the course, on any aspect of their work.

Project Presentation at final session - 10%





Project Description
  First, choose a specific special collection housed in one of NYPL's special collection reading rooms from which you will develop a topic based on that collection. Concurrent with your collection research.  Second, read related current secondary sources (books and articles) that provide current contexts and perspectives and general background.  Third, research your topic across collections: 
    General Reading Room Collections
    Rare Books, Art and Architecture
    Manuscripts and Archives
    Milstein Division, US History
    Prints and Photographs
    Berg and or Pforzheimer Collections
    Maps
    Area Studies: Jewish, Slavic, Baltic and Oriental Division.

DEFINING A COLLECTION-BASED TOPIC
Begin by selecting a special collection. 
Here are some MSS collections and Divisions with collections
from which to choose, and some topics related to major NYPL collections.

Your topic will be based on an NYPL special collection.
Begin by selecting a specific collection for research.  Based on information
gathered from specific documents, expand research to other collections -
defined as "cross-collection research".   During this time you will be 
developing and then defining your topic.  Thus, topic definition comes
AFTER you have started research. 

To develop ideas about collections, view the NYPL Web pages for special
collections.  For manuscripts and archives, check the list of collection inventories,
some of which are fulltext online. 

Search the online catalog for items relating to topic ideas to gain insight
into how well that topic is covered in the general collections which in fact
contains a treasure trove of rare material such as first editions and
many 19th century elaborately illustrated volumes.

Project Concept - Create a subject/topic guide to special collections at NYPL.
Collection based research means that you base your topic on the material
you find in special collections and then, secondarily, move cross-collections.
Rather than beginning with a research hypothesis and searching for material to support it,
build your topic concept based on the material itself.   Interact with documents, 
and let them create a picture of a subject.  The perspectives and views you construct will not
be comprehensive or general, but rather, specific to the material selected much in the way an
exhibit catalog bases its discussion on the exhibited works.

Identifying Representative Material
From an array of special collections, select representative material
for your topic:
Select about 24 items in all, divided among the various collections searched -
with the majority of documents selected from your "primary collection" -
the one you have selected as the basis of your collection-based research.
For each item, include a FULL CITATION AND ANNOTATION.
The annotation should describe the item in detail.  The citation should include physical description.
Think of the selection of material as if you were creating an exhibition catalog showing
how the collection express your topic.  For example, a collection might contain extensive diaries of
several hundred pages.  Browse the collection to get an impression of the whole and
then select a few pages that you feel are representative


Journal and Personal Perspectives
Keep a journal of each day's experiences of research and library encounters.

Keep detailed notes each day of material found so that you do not have to retrace
your steps at the end.  For example, if you find a book that you will be using for the
guide, note the full bibliographic information and description of content.
At the end of each day, note your experiences.  You will use this information at the
end to write your 'Personal Perspectives,' which will be the last section of your guide.
In this section discuss issues in special collections research related to your experiences as 
well as evaluative comments and observations.

Project Format
1. a. Cover  (title, author, illustration/image)
    b. Title page
         (Note, title should be in 2 parts, main and sub-title, example:
         Clara Barton: a Life of Courage and Caring.  A Guide to Selected Sources
         at the New York Public Library).  Cover image should express the title.

2. a. Table of Contents.   Include page numbers.
    b. List of Illustrations (short caption form, include page numbers.)

3. Topic Essay - topic perspectives based on NYPL collection and sources that
    you have consulted.
    It is important to communicate to the reader of your guide the topic's
    importance in the context of the sources you have selected and aspects of
    particular interest and significance, etc. (minimum 2 pages, single spaced, 12 pt.)
    Express your interpretation, thoughts, observations etc. based on your
    research and reading.  Cite sources to support your views or to document facts.
    Make sure that you are in compliance with ‘Fair Use’ principles of the Copyright law.

4. Bibliographic Essay -  Discussion of NYPL sources in the context of your topic
    and how they support and express your topic which includes: types of material;
    how extensive is coverage; what material is most valuable, etc. (2 pages, single spaced, 12 pt).
    Give the reader of the guide a good sense of what to expect if he/she were researching your
    topic at NYPL.  You can organize your discussion based on NYPL collection
    divisions in which you have worked.  Discuss user access, (guides, inventories,
    catalogs, etc.), and collection content, media and format.  Evaluate sources as
    to their usefulness for your topic.

5. Representative Documents by Collection:
    Your primary collection will provide the majority of documents selected.
    For each collection/division in which you have worked:
    One page per document selected.  3-5 documents per division
    Each document page should include:
    a.. a copy of document (photocopy, photograph).
    b. full bibliographic citation including physical description.
    c. Annotation - what does this illustration say; tell reader about the topic.
       What is its significance? What specific information does it contain?.
       Include representative documents for collections in which you researched..
              a. Manuscripts
              b. Rare books
              c. Prints and Photographs
              d. Maps
              e. any other divisions used.

6. Bibliography- secondary sources (5-10)  The purpose of this short list of sources is to identify the latest research on your topic - a few books and a few articles from scholarly journals.  These should be based on sources found in the General Research Division and Serials Division.  Use indexes & abstracts to search for articles.  For example, Humanities Index.

7.  Personal Perspectives              


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READING LIST

ACRL - Internet Resources for Archives & Special Collections

Repositories for Primary Sources

National Union Catalog of Manuscript Collections

The state of copyright activism by Siva Vaidhyanathan - http://www.firstmonday.org/issues/issue9_4/siva/index.html#v6

Reconstructing the Public Domain by Robert A. Baron
http://www.studiolo.org/IP/VRA-TM-StLouis-PublicDomain.htm

Medieval and Renaissance Book Production: Manuscript Books  
Medieval and Renaissance Book Production - Printed Books
 BOOK INFORMATION WEBSITE:
 Book History (a journal) 

Digital Libraries by William Y. Arms (an online book)
 Images of History on the Web
ARL Proceedings of the May 1999 Membership Meeting: Table of Contents
Special Collections in the Digital Age -
Association of Research Libraries, Proceedings of the 134th Annual Meeting
 Book History Online
 Rare Books and Manuscripts Section of the American Library Association
See "Standard and Guidelines.

 A PROPOSED ARL ACTION AGENDA FOR SPECIAL COLLECTIONS
 ARL Proceedings 134: Against the Grain, by Werner Gundersheimer

 The Society of American Archivists  -  SAA: Publications Catalog & Online Resources

 UBC Special Collections - A Select Annotated Bibliography of Handling and Care Issues for Rare Books and Special Materials

 D-Lib Forum and D-Lib Magazine

 BUBL LINK: 090 Manuscripts, rare books, other rare printed materials

 RBS Preliminary Reading List: Adv Seminar in Sp Collns Administration
 Rare Book School Reading Lists

Literary Resources -- Bibliography and History of the Book (Lynch)

 Art of the Book in the Middle Ages



Student Class List - coming soon



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