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The Master of Landscape Architecture Program teaches students to design land and land-based practices that advance environmental and social justice in a time of climate and public change.
An image of the New York City Downtown skyline from an urban park with paths surrounded by foliage.
Type
Graduate, MLA
Start Term
Fall Only
Credits
56 or 85
Duration
2 or 3 years
Courses
Plan of Study

Landscape Architecture

Students work on wooden structures that they've installed in the Catskill Forest
Students install work they designed to increase species habitat in the Catskill Forest

Students earning an MLA degree at Pratt are taught to embrace an inclusive approach to design that bridges culture and nature, ecology and policy, living and built environments. With so many challenges at hand, and underfoot, we prioritize collaborative and team-based learning, articulating changes between large scale systems, expansive historical precedents, evolutionary processes, and individual organisms. Landscape Architecture is a discipline, a profession, and a practice that informs the environment at every scale. We celebrate this legacy by imagining global education as a collaboration with the soils, plants and waters that sustain species.

Career Opportunities

student with protective hi-vis gear and hard hat, viewing site

The program aims to enable graduates to enter the profession with a sophisticated portfolio of flexible skills, knowledge and understanding.

Graduates from the MLA program progress to work in design practice and landscape stewardship both nationally and internationally, as well as contributing to academia and aspects of governance of a wide spectrum of landscapes across a broad range of scales.

Our Faculty

As educators, our most important task is to determine how we can create equitable learning for all students, which includes diverse ways of knowing. Our program is supported by colleagues, students, and professional associations that work through civic engagement and respects the traditional and unceded homeland of the Lenape people.  In a time of great uncertainty, we are certain that our relationship to the land requires our complete attention. See all Graduate Architecture and Urban Design faculty and administrators.

  1. Rosetta S. Elkin

    Academic Director, Landscape Architecture Program; Associate Professor

  2. Mariel Collard

    Assistant Professor

  3. Mark Heller

    Assistant Professor

  4. Signe Nielsen

    Adjunct Professor

  5. Jacob Suissa

    Visiting Assistant Professor

  6. Benjamin Goulet-Scott

    Visiting Assistant Professor

  7. Bill Logan

    Visiting Professor

  8. Melody Stein

    Visiting Assistant Professor

  9. Jeffrey Hogrefe

    Professor

  10. Ellen Garrett

    Visiting Assistant Professor

  11. Marissa Angell

    Visiting Assistant Professor

  12. Sanford Kwinter

    Professor

Success Stories

Ready for More?

HERE’S HOW TO APPLYOUR CAMPUS & BEYOND
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
@pratt_mla
Pratt MLA

@pratt_mla

  • LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
  • Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
  • Attention, admitted students! You’re invited to attend an immersive, 2-week long primer in landscape architectural mediums prior to the semester kicking off. 

This hands-on, studio-based course meets 9:30am-6:00pm Monday-Friday with one Saturday site visit totaling almost 60 hours of instruction time in Pratt’s classrooms, fabrication labs, and outside in the landscapes of Brooklyn. 

Landscape Mediums Primer will be hosted by Pratt MLA faculty member Melody Stein, and will include: 

— Landscape analysis and representation through land-based learning exercises
– Multi-media fabrication and model-making 
– Sketching and drafting skill-building
– Crash-course in digital modeling 

Find more info and sign up via the link in our bio.

@prattinstitute
@prattsoa
@pratt_galaud
  • LAR-774 | Landscape Research II

Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse
on scholarly, professional, and/or academic landscape architectural research. 

In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. 

Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. 

Course instructor: Mark Heller

Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage

@prattinstitute
@prattsoa
@pratt_galaud
  • LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
  • LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
  • Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
  • LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
  • MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more!

Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair!

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I

Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. 

The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. 

Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. 

Course instructor: Melody Stein

@prattinstitute
@prattsoa
@pratt_galaud
LAR-752 | Professional Practice I Second-year students in Professional Practice I develop foundational skills in drawing standards and methods of practice in landscape architecture. Throughout the semester, students document a design intervention from Schematic Design to Design Development and finally Construction Documentation. The site in question: the LeFrak Center landscape within Prospect Park. At the end of February, Christian Zimmerman, the Vice President of Capital & Landscape Management at the Prospect Park Alliance gave us a tour of the landscape highlighting the history of landscape design and layers of projects that have shaped the park we know today. Last week, students pinned up their Design Development drawings for a special guest review with Martha Desbiens, Associate Principal at Mathews Nielsen Landscape Architects. Course instructor: Melody Stein @prattinstitute @prattsoa @pratt_galaud
2 days ago
View on Instagram |
1/9
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times.

After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. 

Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. 

One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.”

Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion.

Works shown: 
1. Broadway: 1000 Steps, New York City, 2009–ongoing.
2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978.
3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996.
4. Watermarks, Milwaukee, WI, 2015–present.

@prattinstitute
@prattsoa 
@pratt_galaud
Last Thursday we had the privilege of hosting Mary Miss for the fourth installment of our Landscape Seminar Series. Miss is an artist and designer who since the early 1970s has challenged how artists can play a more central role in addressing the complex social and environmental of our times. After giving a short presentation on the conceptualization, development, and execution of some of her key projects, Miss answered questions from faculty member Elliott Maltby and members of the audience. Throughout the discussion, she shared insights on seeking funding for large-scale works, considering one’s work in hindsight, her relationship to the land-art canon, maintaining a creative practice over the course of half a century, and more. One key piece of advice that Miss offered to young artists and designers: “Knowing how to dance is very important.” Many thanks to Mary and Elliott, and to all who attended and contributed to a wonderful discussion. Works shown: 1. Broadway: 1000 Steps, New York City, 2009–ongoing. 2. Perimeters/Pavilions/Decoys, Nassau County Museum, 1977–1978. 3. Greenwood Pond: Double Site, Des Moines Art Center, 1989–1996. 4. Watermarks, Milwaukee, WI, 2015–present. @prattinstitute @prattsoa @pratt_galaud
1 week ago
View on Instagram |
2/9
Attention, admitted students! You’re invited to attend an immersive, 2-week long primer in landscape architectural mediums prior to the semester kicking off. 

This hands-on, studio-based course meets 9:30am-6:00pm Monday-Friday with one Saturday site visit totaling almost 60 hours of instruction time in Pratt’s classrooms, fabrication labs, and outside in the landscapes of Brooklyn. 

Landscape Mediums Primer will be hosted by Pratt MLA faculty member Melody Stein, and will include: 

— Landscape analysis and representation through land-based learning exercises
– Multi-media fabrication and model-making 
– Sketching and drafting skill-building
– Crash-course in digital modeling 

Find more info and sign up via the link in our bio.

@prattinstitute
@prattsoa
@pratt_galaud
Attention, admitted students! You’re invited to attend an immersive, 2-week long primer in landscape architectural mediums prior to the semester kicking off. 

This hands-on, studio-based course meets 9:30am-6:00pm Monday-Friday with one Saturday site visit totaling almost 60 hours of instruction time in Pratt’s classrooms, fabrication labs, and outside in the landscapes of Brooklyn. 

Landscape Mediums Primer will be hosted by Pratt MLA faculty member Melody Stein, and will include: 

— Landscape analysis and representation through land-based learning exercises
– Multi-media fabrication and model-making 
– Sketching and drafting skill-building
– Crash-course in digital modeling 

Find more info and sign up via the link in our bio.

@prattinstitute
@prattsoa
@pratt_galaud
Attention, admitted students! You’re invited to attend an immersive, 2-week long primer in landscape architectural mediums prior to the semester kicking off. 

This hands-on, studio-based course meets 9:30am-6:00pm Monday-Friday with one Saturday site visit totaling almost 60 hours of instruction time in Pratt’s classrooms, fabrication labs, and outside in the landscapes of Brooklyn. 

Landscape Mediums Primer will be hosted by Pratt MLA faculty member Melody Stein, and will include: 

— Landscape analysis and representation through land-based learning exercises
– Multi-media fabrication and model-making 
– Sketching and drafting skill-building
– Crash-course in digital modeling 

Find more info and sign up via the link in our bio.

@prattinstitute
@prattsoa
@pratt_galaud
Attention, admitted students! You’re invited to attend an immersive, 2-week long primer in landscape architectural mediums prior to the semester kicking off. This hands-on, studio-based course meets 9:30am-6:00pm Monday-Friday with one Saturday site visit totaling almost 60 hours of instruction time in Pratt’s classrooms, fabrication labs, and outside in the landscapes of Brooklyn. Landscape Mediums Primer will be hosted by Pratt MLA faculty member Melody Stein, and will include: — Landscape analysis and representation through land-based learning exercises – Multi-media fabrication and model-making – Sketching and drafting skill-building – Crash-course in digital modeling Find more info and sign up via the link in our bio. @prattinstitute @prattsoa @pratt_galaud
2 weeks ago
View on Instagram |
3/9
LAR-774 | Landscape Research II

Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse
on scholarly, professional, and/or academic landscape architectural research. 

In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. 

Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. 

Course instructor: Mark Heller

Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage

@prattinstitute
@prattsoa
@pratt_galaud
LAR-774 | Landscape Research II

Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse
on scholarly, professional, and/or academic landscape architectural research. 

In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. 

Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. 

Course instructor: Mark Heller

Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage

@prattinstitute
@prattsoa
@pratt_galaud
LAR-774 | Landscape Research II

Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse
on scholarly, professional, and/or academic landscape architectural research. 

In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. 

Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. 

Course instructor: Mark Heller

Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage

@prattinstitute
@prattsoa
@pratt_galaud
LAR-774 | Landscape Research II

Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse
on scholarly, professional, and/or academic landscape architectural research. 

In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. 

Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. 

Course instructor: Mark Heller

Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage

@prattinstitute
@prattsoa
@pratt_galaud
LAR-774 | Landscape Research II Landscape Research II is a research workshop course that aims to define the limitations, parameters and opportunities of design by framing their proposals within a discourse on scholarly, professional, and/or academic landscape architectural research. In the second half of the semester, students learn animation and filmmaking methods, enabling them to create short films that advocate for new ideas of public-ness. Here students screen their films exploring how both the design and culture of Brooklyn's Prospect Park has changed throughout the decades. Topics of inquiry include seasonality, recreation, urban development, habitats, grading and drainage, and viewsheds. Course instructor: Mark Heller Images by: Anna Sheikh, Chrissy Lifton, Tim Nottage @prattinstitute @prattsoa @pratt_galaud
2 weeks ago
View on Instagram |
4/9
LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
LAR-780P | Geospatial Landscapes

Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. 

Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley.

Course instructor: Mark Heller

Student work shown: Tim Nottage, Fedha Taqi

@prattinstitute
@prattsoa
@pratt_galaud
LAR-780P | Geospatial Landscapes Students in the elective course Geospatial Landscapes devise 3D workflows for visualizing landscape systems and data. The sample workshops include a drawing of land values per SF surrounding Brooklyn's Prospect Park, categorized by land use, as well as an extrusion map of the EPA Air Quality Index for Greater New York City in 2024. Submissions for the "Expository Aerials" assignment ranged from terrain models of the Saudi-Yemen border zone to LiDAR material investigations of Brooklyn to mapping snow-melt drainage in California's Owens River Valley. Course instructor: Mark Heller Student work shown: Tim Nottage, Fedha Taqi @prattinstitute @prattsoa @pratt_galaud
3 weeks ago
View on Instagram |
5/9
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park

The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model.

The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms.

Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. 

Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park.

Course instructors: Andy Lee, Brad Howe

Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast

Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta)

@prattinstitute
@prattsoa
@pratt_galaud
@synthetic_milk
LAR-704 | Land Studio IV: Park The fourth-semester core studio refines the issues of environmental justice, health, and well-being by enacting design at multiple scales within the large park. Starting with a series of studies that analyze ownership, management and contextual-specific practices across a range of precedents, students speculate what a 22nd-century large park looks like and design the potential of expansion and adaptive maintenance by using Prospect Park in Brooklyn as a model. The intertwined crises of the last five years have laid bare the need to radically rethink who and what our public parks are for. Confronted with increasingly cascading climate and political crises, the 22nd park must take on new approaches to collective participation, gathering, and care in its design and therefore a requisite reconfiguration of the systems that underlie its forms. Leading up to their Mid-Review, students implicated and represented detail drawings of Prospect Park, done earlier in the semester, within a larger material network through a series of individual, large-scale drawings and models. Ultimately, students will propose a reconfiguration of their material networks that examine how their details are implicated in systems of food, agriculture, waste, transportation, and/or drainage, and how a re-design of it would implicate shifts in public use, access, and relationships to the park. Course instructors: Andy Lee, Brad Howe Student work shown: Chloe Kellner, Connor Jacobs, Christine Lifton, Tim Nottage, Payton Prendergast Mid-Review guest critics: Maura Lucking (Temple Hoyne Buell Center, Columbia), Darlene Montgomery (Snohetta) @prattinstitute @prattsoa @pratt_galaud @synthetic_milk
3 weeks ago
View on Instagram |
6/9
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” 

We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. 

@prattinstitute
@prattsoa
@pratt_galaud
Happy spring! Pratt MLA students are all over the map: from the brownfields of New Jersey to Prospect Park, from mine spoils to library archives. As did Williams Carlos Williams, we welcome “Spring and All.” We were especially thrilled to meet some of the future of our field yesterday during our Admitted Students Day event, and we’re proud to be growing skills, testing to failure, and maintaining our commitment to land-based learning. @prattinstitute @prattsoa @pratt_galaud
4 weeks ago
View on Instagram |
7/9
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making

Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it.

This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings.

Course instructors: Bill Logan and Melody Stein

📷: @dannen.b.plantn

@prattsoa
@prattgalaud
@prattinstitute
@williambryantlogan
LAR-613 | Cartography II: Soil Making Earlier this semester, first-year students visited the High Line in lower Manhattan a part of the second course in our Cartography sequence. The trip served as an opportunity to study the history and context of the famous converted greenway, and to examine its soil composition and the planting design that best suits it. This first section of the course, which also includes a visit Gerritsen Beach in east Brooklyn, aims to help students learn about and acknowledge the unique and novel character of urban soils, where most exposed soils have been dramatically changed by human beings. Course instructors: Bill Logan and Melody Stein 📷: @dannen.b.plantn @prattsoa @prattgalaud @prattinstitute @williambryantlogan
4 weeks ago
View on Instagram |
8/9
MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more!

Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair!

@prattinstitute
@prattsoa
@pratt_galaud
MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more!

Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair!

@prattinstitute
@prattsoa
@pratt_galaud
MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more!

Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair!

@prattinstitute
@prattsoa
@pratt_galaud
MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more!

Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair!

@prattinstitute
@prattsoa
@pratt_galaud
MLA students recently attended the 2025 Pratt Spring Career Day to learn about opportunities and experiences from over 100 companies around NYC. We were grateful to connect with Bayview Landscape Architecture, Hart Howerton, LaGuardia Design Group, LVF, Snohetta, and Supermass Studio, and more! Reminder: The virtual component of 2025 Spring Career Day is coming up on March 28 from 10am-8pm, so be sure to register to talk to any firms you may have missed at the in-person fair! @prattinstitute @prattsoa @pratt_galaud
4 weeks ago
View on Instagram |
9/9