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Haresh Lalvani

Center For Experimental Structures>
Haresh Lalvani

Research

Haresh Lalvani 2023-2024

Work

A collage featuring various geometric designs and structures. The top-left section showcases a complex wooden and metal framework resembling a deconstructed architectural structure. To the right, a series of four abstract, twisting geometric forms in grayscale against a black background. Below these, there are three spherical designs with grid patterns composed of interlocking shapes. At the bottom, six images display a woven bamboo-like structure in various stages of creation, progressing from a conical shape to a flattened disk. On the far right, the text

Haresh Lalvani 2022-2023

Work

A collage of various architectural and design renderings from 2020-2021. The images include a series of layered structures, geometric patterns, abstract shapes, and 3D models. The designs range from curved and organic forms to more structured and repetitive patterns. The text

Haresh Lalvani 2020-2021

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HARESH LALVANI 2018-19

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HARESH LALVANI 2017-18

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HARESH LALVANI 2016-17

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HARESH LALVANI 2015-2016

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HARESH LALVANI 2014-2015

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HARESH LALVANI 2013-2014

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HARESH LALVANI 2012-2013

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HARESH LALVANI 2011-2012

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HARESH LALVANI 2010-2011

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HARESH LALVANI 2009-2010

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HARESH LALVANI 2007-2008

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HARESH LALVANI 2006-2007

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CES Projects

A collage of images from CES Projects 2016-2017, showcasing innovative designs and fabrication processes. The images depict various 3D-printed, molded, and inflated structures. 1. The top left features a white, futuristic-looking 3D-printed object with curved surfaces and geometric cutouts, resembling a hollow, abstract sculpture. 2. The top middle shows a hand holding a translucent, circular object that appears soft and flexible, suggesting experimental material use. 3. The top right displays a large, inflated ring-shaped structure in a fabrication setting, with machinery involved in the production. 4. The bottom left and center highlight two more views of the same 3D-printed object shown in the top left, with slightly different perspectives. 5. The bottom middle presents a CAD rendering of a robotic arm creating a 3D-printed design, illustrating the digital fabrication process. 6. The bottom right captures an inflated, soft structure with illuminated internal lights, presented in a studio setting with delicate wireframe structures hanging in the background. The combination of 3D printing, robotics, and inflatable materials demonstrates advanced prototyping and design exploration at CES.

CES Projects 2016-17

Haresh Lalvani, John Gulliford

Work

This banner illustrates a range of CES Projects completed between 2017-2018, showcasing different forms of structural exploration and material manipulation. 1. On the left side, a sequence of images demonstrates a flexible, ribbed structure. The top-left and bottom-left images show hands manipulating the material, suggesting a focus on the study of movement, flexibility, and how mechanical joints behave under stress or deformation. The middle image appears to be the same structure but is shown in a more stable configuration, perhaps emphasizing its potential for both mobility and rigidity. 2. In the center, a wooden and white modular structure shows intricate joint construction, appearing as a study in assembly or modularity in design. The smooth, organic curvature contrasts with the mechanical, segmented look of the other components, reflecting a merging of natural and fabricated aesthetics. 3. The right side displays a geodesic-like structure with metal rods connected by tension cables, alongside close-ups of its joints. The focus is likely on the tension systems, a hallmark of tensegrity design principles, and exploring how dynamic movement or forces distribute through interconnected structures. In sum, these projects reflect an emphasis on exploring material flexibility, modular architecture, and structural integrity in a computationally-driven design process.

CES Projects 2017-18

Haresh Lalvani, Robinson Strong, Ahmad Tabbakh

Work

This banner presents CES Projects from 2018-2019, highlighting two different design explorations. 1. On the left is a geometric, metallic framework that looks like a complex polyhedral structure, possibly representing architectural or structural experimentation with modular components or robotic assemblies. The lines and connections suggest a strong focus on computational design and parametric geometry. 2. On the right, there are six iterations of a red and yellow organic shape that resembles fluid surfaces or folded material. These forms appear digitally generated, with each one featuring slight variations in curvature, tension, and connection points. The designs suggest a focus on fabric-like deformation, computational fluid dynamics, or soft robotics. The banner showcases two contrasting approaches: one focusing on rigid, mechanical systems and the other on soft, organic form generation. Together, these projects emphasize CES’s commitment to exploring advanced digital fabrication techniques and computational design processes.

CES Projects 2018-19

Haresh Lalvani, John Gulliford, Robinson Strong

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Morphology Studios

MORPHOLOGY STUDIOS 2018-19

Ajmal Aqtash, John Gulliford, Haresh Lalvani, David P. Burke, Che-Wei Wang

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MORPHOLOGY STUDIOS 2017-18

Ajmal Aqtash, John Gulliford, Haresh Lalvani, Che-Wei Wang

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MORPHOLOGY STUDIOS 2016-17

Ajmal Aqtash, John Gulliford, Haresh Lalvani

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MORPHOLOGY STUDIOS 2015-2016

Ajmal Aqtash, Haresh Lalvani, John Gulliford

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MORPHOLOGY STUDIOS 2014-2015

Ajmal Aqtash, John Gulliford, Haresh Lalvani

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MORPHOLOGY STUDIOS 2013-2014

Ajmal Aqtash, Haresh Lalvani, John Gulliford

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MORPHOLOGY STUDIOS 2012-2013

Haresh Lalvani, Ajmal Aqtash

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MORPHOLOGY STUDIOS 2011-2012

Haresh Lalvani, Ajmal Aqtash

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MORPHOLOGY STUDIOS 2010-2011

Haresh Lalvani, Ajmal Aqtash

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MORPHOLOGY STUDIOS 2008-2009

Haresh Lalvani, Ajmal Aqtash

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