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The Daily Hub

A roundup of ideas and projects from around the Institute

  • Big News Network profiled Ye Tian, MSIXD ’22. “[At Pratt,] she combined her creative foundation with a human-centered research methodology, discovering her true mission: to use design to solve real-world problems. With a solid academic background and outstanding innovative spirit, Ye Tian quickly distinguished herself in healthcare design, demonstrating extraordinary potential as a leader in the industry.”

  • Mark Grattan, BID ’06, spoke with Untapped Journal for “The House I Grew Up In,” the 2025–2026 theme of their symposium, Making Space. “It’s important to sit in [your home], understand how you feel in it, acknowledge how you move around the space, and identify things that will make you feel better in it.”

  • We Were the Scenery, directed by Assistant Professor of Film/Video Christopher Radcliff, screened at IFC Center from July 4 to 10 as part of the Sundance Film Festival Short Film Tour. Radcliff also had a recent film screening at Metrograph, alongside a film screening by Visiting Assistant Professor of Film/Video Suneil Sanzgiri.

  • Alessandra Clemente, BFA Interior Design ’22, was profiled in Haute Residence. At Pratt, her thesis “received the prestigious Pratt Institute Social Justice Award in the Leadership Category, highlighting its engagement with real social and spatial issues.”

  • Pratt Institute was the lead in a WNYC radio spotlight and Gothamist feature article on the high demand for an arts education, with record-breaking enrollment at New York City schools, a surprising trend given recent headlines. “Especially when the world is so unstable and insecure, I think that art is a place of reflection, resistance and imagination,” Pratt Institute Fine Arts Chair Jane South said in the piece. Professor of Fine Arts Adrienne Elise Tarver added that students are “very interested in the material,” and Manar Balh, BFA ’26, was quoted saying, “A lot of my peers understand that nothing is guaranteed really, no matter what you study, so you should just study the thing that matters the most to you.” Coverage also appeared in The New York Times and The Art Newspaper

  • Hyperallergic covered the ongoing Process In Practice exhibition at Pratt Manhattan Gallery, which runs through Sept. 6 and features work by Pratt Communications Design alumni from both the graduate and undergraduate programs. “From branding and type design to social impact work and fine art, the alumni featured in Process in Practice span the breadth of design’s potential. Their practices cross disciplines and geographies, covering public art in New York, children’s book storytelling in Mexico, type innovation in Bangkok, sustainability in publishing and user experience, and beyond.”

  • Pratt Institute’s Communications and Marketing Creative Services team earned third place in Archinect’s Spring ’25 Get Lectured competition for their design of the School of Architecture’s spring 2025 event series poster.

More Pratt Institute News

A tabletop cluttered with various crafting supplies, including colorful yarn, buttons, fabric scraps, and scissors. Two hands are visible: one holding a decorated piece of fabric, while another points towards a sock-like item with a blue pattern. A wooden tool and small containers with pins and sequins are also present on a vibrant plaid tablecloth.

Repair. Rest. Repeat. 

Mending Circle, one of Pratt’s newest student clubs, sets aside time for care and community.

Designing Digital Interfaces for Real-World Clients

From Pratt Institute News

Graduate student Shreesa Shrestha, MSIXD ’26, is making the most of every opportunity at Pratt as she balances client projects, community-building initiatives, and a prestigious Product Design Fellowship at The Museum of Modern Art.

Open Studios, Endless Possibilities

From Pratt Institute News

Pratt’s annual MFA Open Studios were complemented by the first-ever Open Fields artist resource fair, making for an electric day of events celebrating artistic practice and the resources that sustain it.