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Join a community of writers invested in experimentation and a rigorous study of literary arts. Deeply collaborative and transdisciplinary, our MFA in Writing offers you tools and support to cultivate a practice that is responsive to our rapidly evolving environmental and political times.
A diverse group of people sit on stage as they each read from papers they are holding in their hands. They all have microphones in front of them.
Type
Graduate, MFA
Start Term
Fall Only
Credits
39
Duration
2 Years
Courses
Plan of Study

Prospective candidates: RSVP for the MFA in Writing’s Fall 2025 informational session!

Here is the date and corresponding registration link:

Monday, December 8 at 5:00pm ETRegister here

Personalized Support to Develop Your Writing

Our tight-knit writing community values a plurality of voices and approaches to writing, both on and off the page. In our program, you’ll develop your writing practice through weekly Writing Studio sessions with peers, faculty, and guest artists; unique electives; guided fieldwork residencies; and faculty mentorships.

Pratt’s MFA in Writing can be completed in four semesters of full-time study. We fund our students equally: for more information about student funding resources, please contact the program.

A Transdisciplinary, Experimental, and Expansive Program Within an Art School

Our program supports your development of a writing process that takes into account the material and technological aspects of writing, the human body that produces it, and the larger social, sexual, historical, economic, racial, and cultural contexts in which and through which all imaginative writing takes place.

Participate in small-size seminars with our faculty in subjects such as multilingualisms, small press, ecopoetics, and experimental prose. Take advantage of space in our curriculum to pursue courses in Pratt’s celebrated Art, Design, and Media Studies programs, or design your own custom independent study. Browse the full list of Writing MFA elective courses.

Writers Supporting Writers: Building a Collaborative Practice

Pratt’s Brooklyn campus-based writing facilities, designed with significant student input, include dedicated 24/7 work spaces where students can develop projects together as well as find quiet nooks for writing and reflection. The program’s faculty serve as models for collaborative practice as well, from co-leading the weekly Writing Studio to founding literary magazines and alternative presses that support other writers.  

Socially Engaged Practice: Fieldwork Residencies

Explore writing’s impact with an organization you believe in. Through the fieldwork course sequence, you’ll study social practice methodologies and carry out a self-designed creative residency in collaboration with a literary institution, community organization, archive, or activist group of your choice. Past fieldwork sites include Wendy’s Subway, Nuyorican Poets Café, and The Poetry Project.

Become Part of a Publishing Collective

Each year, a self-selecting group of students collaborates to solicit, edit, design, and publish chapbooks. These publications are celebrated in a culminating event and are also distributed at local Brooklyn bookstores.

Pursue Independent Projects—with Funding

MFA Writing students frequently pursue individual research projects supported by Pratt’s Graduate Student Engagement Fund (GSEF). With GSEF funding, our students have mounted gallery exhibitions, shot films, and traveled internationally to develop research archives for their creative projects.

Work with a Mentor

Through our Mentored Studies sequence, you and a faculty mentor will engage in regular, deep conversations throughout your time in the program. Your mentor will support the expansion of your writing practice and facilitate your thesis project. Past mentors include Anna Moschovakis, Sharifa Rhodes-Pitts, Mirene Arsanios, Ellery Washington, and James Hannaham.

Our Faculty

Distinguished and daring writers, artists, researchers, translators, and editors, they bring diverse views, methods, and perspectives to creating the environment in which you’ll study and create. See all Writing faculty and administrators.

  1. Christian Hawkey

    Professor

  2. Christopher Perez

    Visiting Professor

  3. Sharifa Rhodes-Pitts

    Associate Professor

  4. Laura Elrick

    Associate Professor

  5. Anna Moschovakis

    Adjunct Associate Professor – CCE

  6. James Hannaham

    Professor

  7. Youmna Chlala

    Professor

  8. Mirene Arsanios

    Adjunct Assistant Professor

  9. Rachel Levitsky

    Professor

  10. Ellery Washington

    Associate Professor

  11. Hannah Assadi

    Visiting Instructor

A group of people stand in front of a projector screen as they attentively look at book being held by the person in the middle.

After Graduation

The program sets graduates up for success in a variety of fields. Our graduates publish widely and have been awarded prestigious literary prizes. Their innovative work addresses critical social and political questions that reimagine our world.

Where They’ve Worked

  • Nuyorican Poets Café 
  • New Orleans Public Defender’s Office
  • Litmus Press
  • Futurepoem Books
  • School for Poetic Computation
  • Pratt Institute
  • JustMedia
  • Boar Hair Books and Oreades Press 
  • The Octavia Project
  • Code Read
  • Nightboat Books and Graywolf Press

Publications and Awards

  • Andrew Riad’s Martyred, Mother: A Futurenarrative (winner of Radix Printing and Publishing Cooperative’s 2025 Megaphone Prize)
  • Alisha Mascarenhas, author of A Catalogue of Risk (Wendy’s Subway, 2024), winner of the Carlyn Bush Award
  • Stephon Lawrence, author of u know how much i hate being in social situations (Futurepoem, 2023)
  • Hamid Roslan, author of parsetreeforestfire (Ethos Books, 2019), shortlisted for the Singapore Literature Prize for Poetry 2020 
  • Mahogany L. Browne, author of Woke Baby (2018, Macmillan), Chrome Valley: Poems (National Geographic Books, 2023), Vinyl Moon (Penguin, 2022), and others
  • a.Monti, author of Mycelial Person (Vegetarian Alcoholic Press, 2021)
  • Jive Poetic, showcased on TVONE’s Lexus Verses and Flow, PBS NewsHour, and BET
  • Irene Lee, co-author of Six Endings and Some Beginnings (Ordeas Press, 2022)

Success Stories

Dedicated Career Support for Life

Your career journey doesn’t end at graduation. Our departmental alumni coordinator and Pratt’s Center for Career and Professional Development offer lifelong support, including one-to-one strategy sessions and reviews of résumés, cover letters, and websites.

From the Catalog

Ready for More?

HERE’S HOW TO APPLYGraduate Studies at PrattOUR CAMPUS & BEYOND
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.Whether your goal is to advance your career, pivot to a new field, or explore your craft or groundbreaking research, our 33 graduate programs provide the rigor and support to achieve your vision. Explore our graduate programs in architecture, fine arts, design, information studies, and the liberal arts and sciences.
Learn More.
You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
@prattwriting
Writing at Pratt

@prattwriting

  • Another exciting spring course! WRITING FOR YOUNG ADULTS with Sincere Brooks! 

THIS COURSE WILL EXPLORE WHAT
“YOUNG ADULT” MEANS; WHAT THE GENRE IS SAYING TO ITS AUDIENCE-AND WHY; HOW THEMES OF LOVE, SEX, FAMILY, FRIENDSHIP, AND EXISTENTIAL ANGST ARE PACKAGED FOR YOUNG READERS; AND HOW HISTORY, RACE, GENDER, MEDIA, AND TECHNOLOGY SHAPE THOSE THEMES. WE WILL ALSO EXAMINE HOW AUTHORS OF YOUNG ADULT LITERATURE CRAFT THEIR WORK TO ENGAGE READERS.
STUDENTS WILL READ AND ANALYZE BOOKS WRITTEN FOR YOUNG ADULTS, CONSIDERING WHAT ELEMENTS ARE ESSENTIAL TO CREATING A MEANINGFUL YA NARRATIVE AND WHY THE GENRE RESONATES WITH AUDIENCES FAR BEYOND ITS INTENDED READERSHIP. ALONG THE WAY, STUDENTS WILL REFLECT ON THEIR OWN EXPERIENCES AS YOUNG READERS-WHAT CHARACTERS AND THEMES SPOKE TO THEM, AND WHY-AS A WAY OF UNDERSTANDING HOW TO WRITE ABOUT THE HUMAN CONDITION IN WAYS THAT TRANSCEND AGE.
  • Another spring elective spotlight: James Hannaham’s PLAYS AND MOVIES! There are seats available - register today :) 

In this class, students will read plays and film scripts out loud, occasionally in goofy voices. No acting skills are required, but reading skills will be appreciated. Please be eager to embarrass yourself. Some of the scripts will have been written by known playwrights and screenwriters, others will be written by you. We may read transcripts of real events. Some of the movies
will
have been made by
professionals, some of the movies will be made by you. A portion of the material will be suggested/chosen by the class. As we read, we will also do research. Before we make movies or finish plays, we will read and revise scripts. The final project will be a short play or a short film made by you. There might be special guests.
  • SPRING COURSE SPOTLIGHT: Rachel Levitsky’s M/ekphrastic writing! Please note the time correction from our initial course announcements (the class meets 10-12:50)

Ekphrasis, according to its most basic definition, is writing that addresses art.
The Min front of the word in the course title presumably stands for:
MEDIA. But it also might be:
ME. By shifting the emphasis from the fixed art object to
the moving image and interactive forms of electronic media, the writer gains a dynamic opportunity to move and merge with works of art. In M/Ekphastic writing, the writer, the writing and the media defy fixity, each becoming an ever-altering form. In this elective, students will create their own personal media stories, respond to
digital and analog moving images, invent their own (deterritorialized) media-based projects. Students will also read and interact with numerous antecedents of work that can be called mekphrasic by writers such a s
Raul Ruiz, Jean Cocteau, Lisa Robertson, Holly
Melgarde, Jean Genet, Fred Moten, Bernadette Mayer, Vidhu Aggarwal, Katz Tepper, Renee Gladman, Cecilia
Vicuna and Anne Waldman. ALL types of writers and writing welcome.
  • Join second-year MFA candidate Alexandra Zernik on Monday in the Student Union for Letters Never Sent - a guided letter writing exercise inviting you to release what you’ve been holding inside and transform it into creative healing.
  • Beyond the Spine brought the books to Midnight Breakfast! Currently, they’re reading Good Material by Dolly Alderton 🥞🥓📚

If you’re interested in joining Beyond the Spine, send us a DM here or find them through Engage!
  • CALL FOR SUBMISSIONS: VASSAR REVIEW 

“We accept a range of work including poetry, prose, sculpture, soundscapes, performance, scripts, digital media, and beyond that relates to this year’s theme. Bilingual texts and excerpts from longer dramatic works such as screenplays and graphic novels are also considered. We do not accept works previously published in print but will consider previously exhibited visual work. Simultaneous submissions are allowed but require that artists notify editors if the work has been accepted elsewhere. All contributors retain copyright over their individual works. For a better understanding of our history, see our website: https://vassar-review.vassarspaces.net/“
  • Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
  • Come to the @ubi.mag launch tonight at 5:00pm in the Dekalb Gallery! Free literary art and pizza 🍕💚
  • Writing MFA Virtual Session: “Assembling the Application”

Monday, December 8, 2025 at 5:00pm ET

Join us for a session led by Prof. Samantha Hunt, designed to guide prospective students through Pratt’s MFA in Writing application process. Learn how the department recommends approaching and structuring key materials—such as your writing sample, statement of purpose, and letters of recommendation—and get answers to your questions. We hope to see you there! 

Use the QR code on the flyer to register 🔗
Another exciting spring course! WRITING FOR YOUNG ADULTS with Sincere Brooks! 

THIS COURSE WILL EXPLORE WHAT
“YOUNG ADULT” MEANS; WHAT THE GENRE IS SAYING TO ITS AUDIENCE-AND WHY; HOW THEMES OF LOVE, SEX, FAMILY, FRIENDSHIP, AND EXISTENTIAL ANGST ARE PACKAGED FOR YOUNG READERS; AND HOW HISTORY, RACE, GENDER, MEDIA, AND TECHNOLOGY SHAPE THOSE THEMES. WE WILL ALSO EXAMINE HOW AUTHORS OF YOUNG ADULT LITERATURE CRAFT THEIR WORK TO ENGAGE READERS.
STUDENTS WILL READ AND ANALYZE BOOKS WRITTEN FOR YOUNG ADULTS, CONSIDERING WHAT ELEMENTS ARE ESSENTIAL TO CREATING A MEANINGFUL YA NARRATIVE AND WHY THE GENRE RESONATES WITH AUDIENCES FAR BEYOND ITS INTENDED READERSHIP. ALONG THE WAY, STUDENTS WILL REFLECT ON THEIR OWN EXPERIENCES AS YOUNG READERS-WHAT CHARACTERS AND THEMES SPOKE TO THEM, AND WHY-AS A WAY OF UNDERSTANDING HOW TO WRITE ABOUT THE HUMAN CONDITION IN WAYS THAT TRANSCEND AGE.
Another exciting spring course! WRITING FOR YOUNG ADULTS with Sincere Brooks! THIS COURSE WILL EXPLORE WHAT “YOUNG ADULT” MEANS; WHAT THE GENRE IS SAYING TO ITS AUDIENCE-AND WHY; HOW THEMES OF LOVE, SEX, FAMILY, FRIENDSHIP, AND EXISTENTIAL ANGST ARE PACKAGED FOR YOUNG READERS; AND HOW HISTORY, RACE, GENDER, MEDIA, AND TECHNOLOGY SHAPE THOSE THEMES. WE WILL ALSO EXAMINE HOW AUTHORS OF YOUNG ADULT LITERATURE CRAFT THEIR WORK TO ENGAGE READERS. STUDENTS WILL READ AND ANALYZE BOOKS WRITTEN FOR YOUNG ADULTS, CONSIDERING WHAT ELEMENTS ARE ESSENTIAL TO CREATING A MEANINGFUL YA NARRATIVE AND WHY THE GENRE RESONATES WITH AUDIENCES FAR BEYOND ITS INTENDED READERSHIP. ALONG THE WAY, STUDENTS WILL REFLECT ON THEIR OWN EXPERIENCES AS YOUNG READERS-WHAT CHARACTERS AND THEMES SPOKE TO THEM, AND WHY-AS A WAY OF UNDERSTANDING HOW TO WRITE ABOUT THE HUMAN CONDITION IN WAYS THAT TRANSCEND AGE.
14 hours ago
View on Instagram |
1/9
Another spring elective spotlight: James Hannaham’s PLAYS AND MOVIES! There are seats available - register today :) 

In this class, students will read plays and film scripts out loud, occasionally in goofy voices. No acting skills are required, but reading skills will be appreciated. Please be eager to embarrass yourself. Some of the scripts will have been written by known playwrights and screenwriters, others will be written by you. We may read transcripts of real events. Some of the movies
will
have been made by
professionals, some of the movies will be made by you. A portion of the material will be suggested/chosen by the class. As we read, we will also do research. Before we make movies or finish plays, we will read and revise scripts. The final project will be a short play or a short film made by you. There might be special guests.
Another spring elective spotlight: James Hannaham’s PLAYS AND MOVIES! There are seats available - register today 🙂 In this class, students will read plays and film scripts out loud, occasionally in goofy voices. No acting skills are required, but reading skills will be appreciated. Please be eager to embarrass yourself. Some of the scripts will have been written by known playwrights and screenwriters, others will be written by you. We may read transcripts of real events. Some of the movies will have been made by professionals, some of the movies will be made by you. A portion of the material will be suggested/chosen by the class. As we read, we will also do research. Before we make movies or finish plays, we will read and revise scripts. The final project will be a short play or a short film made by you. There might be special guests.
2 days ago
View on Instagram |
2/9
SPRING COURSE SPOTLIGHT: Rachel Levitsky’s M/ekphrastic writing! Please note the time correction from our initial course announcements (the class meets 10-12:50)

Ekphrasis, according to its most basic definition, is writing that addresses art.
The Min front of the word in the course title presumably stands for:
MEDIA. But it also might be:
ME. By shifting the emphasis from the fixed art object to
the moving image and interactive forms of electronic media, the writer gains a dynamic opportunity to move and merge with works of art. In M/Ekphastic writing, the writer, the writing and the media defy fixity, each becoming an ever-altering form. In this elective, students will create their own personal media stories, respond to
digital and analog moving images, invent their own (deterritorialized) media-based projects. Students will also read and interact with numerous antecedents of work that can be called mekphrasic by writers such a s
Raul Ruiz, Jean Cocteau, Lisa Robertson, Holly
Melgarde, Jean Genet, Fred Moten, Bernadette Mayer, Vidhu Aggarwal, Katz Tepper, Renee Gladman, Cecilia
Vicuna and Anne Waldman. ALL types of writers and writing welcome.
SPRING COURSE SPOTLIGHT: Rachel Levitsky’s M/ekphrastic writing! Please note the time correction from our initial course announcements (the class meets 10-12:50) Ekphrasis, according to its most basic definition, is writing that addresses art. The Min front of the word in the course title presumably stands for: MEDIA. But it also might be: ME. By shifting the emphasis from the fixed art object to the moving image and interactive forms of electronic media, the writer gains a dynamic opportunity to move and merge with works of art. In M/Ekphastic writing, the writer, the writing and the media defy fixity, each becoming an ever-altering form. In this elective, students will create their own personal media stories, respond to digital and analog moving images, invent their own (deterritorialized) media-based projects. Students will also read and interact with numerous antecedents of work that can be called mekphrasic by writers such a s Raul Ruiz, Jean Cocteau, Lisa Robertson, Holly Melgarde, Jean Genet, Fred Moten, Bernadette Mayer, Vidhu Aggarwal, Katz Tepper, Renee Gladman, Cecilia Vicuna and Anne Waldman. ALL types of writers and writing welcome.
3 days ago
View on Instagram |
3/9
Join second-year MFA candidate Alexandra Zernik on Monday in the Student Union for Letters Never Sent - a guided letter writing exercise inviting you to release what you’ve been holding inside and transform it into creative healing.
Join second-year MFA candidate Alexandra Zernik on Monday in the Student Union for Letters Never Sent - a guided letter writing exercise inviting you to release what you’ve been holding inside and transform it into creative healing.
4 days ago
View on Instagram |
4/9
Beyond the Spine brought the books to Midnight Breakfast! Currently, they’re reading Good Material by Dolly Alderton 🥞🥓📚

If you’re interested in joining Beyond the Spine, send us a DM here or find them through Engage!
Beyond the Spine brought the books to Midnight Breakfast! Currently, they’re reading Good Material by Dolly Alderton 🥞🥓📚 If you’re interested in joining Beyond the Spine, send us a DM here or find them through Engage!
6 days ago
View on Instagram |
5/9
CALL FOR SUBMISSIONS: VASSAR REVIEW 

“We accept a range of work including poetry, prose, sculpture, soundscapes, performance, scripts, digital media, and beyond that relates to this year’s theme. Bilingual texts and excerpts from longer dramatic works such as screenplays and graphic novels are also considered. We do not accept works previously published in print but will consider previously exhibited visual work. Simultaneous submissions are allowed but require that artists notify editors if the work has been accepted elsewhere. All contributors retain copyright over their individual works. For a better understanding of our history, see our website: https://vassar-review.vassarspaces.net/“
CALL FOR SUBMISSIONS: VASSAR REVIEW “We accept a range of work including poetry, prose, sculpture, soundscapes, performance, scripts, digital media, and beyond that relates to this year’s theme. Bilingual texts and excerpts from longer dramatic works such as screenplays and graphic novels are also considered. We do not accept works previously published in print but will consider previously exhibited visual work. Simultaneous submissions are allowed but require that artists notify editors if the work has been accepted elsewhere. All contributors retain copyright over their individual works. For a better understanding of our history, see our website: https://vassar-review.vassarspaces.net/“
6 days ago
View on Instagram |
6/9
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon :) feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
Thanks to everyone who came by and helped us transform cannoneer into a festive winter wonderland this afternoon 🙂 feel free to add your own decor or take some for your own space from our leftover garlands and tinsel in the library!
6 days ago
View on Instagram |
7/9
Come to the @ubi.mag launch tonight at 5:00pm in the Dekalb Gallery! Free literary art and pizza 🍕💚
Come to the @ubi.mag launch tonight at 5:00pm in the Dekalb Gallery! Free literary art and pizza 🍕💚
1 week ago
View on Instagram |
8/9
Writing MFA Virtual Session: “Assembling the Application”

Monday, December 8, 2025 at 5:00pm ET

Join us for a session led by Prof. Samantha Hunt, designed to guide prospective students through Pratt’s MFA in Writing application process. Learn how the department recommends approaching and structuring key materials—such as your writing sample, statement of purpose, and letters of recommendation—and get answers to your questions. We hope to see you there! 

Use the QR code on the flyer to register 🔗
Writing MFA Virtual Session: “Assembling the Application” Monday, December 8, 2025 at 5:00pm ET Join us for a session led by Prof. Samantha Hunt, designed to guide prospective students through Pratt’s MFA in Writing application process. Learn how the department recommends approaching and structuring key materials—such as your writing sample, statement of purpose, and letters of recommendation—and get answers to your questions. We hope to see you there! Use the QR code on the flyer to register 🔗
1 week ago
View on Instagram |
9/9