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Our M.F.A. in writing offers the contemporary writer tools and support to cultivate a practice that is responsive to our rapidly evolving environmental and political times.
A diverse group of people sit on stage as they each read from papers they are holding in their hands. They all have microphones in front of them.
Type
Graduate, MFA
Start Term
Fall Only
Credits
39
Duration
2 Years
Courses
Plan of Study
Student walking through Library hallway.

Writing at Pratt

Through weekly Writing Studio sessions with peers, faculty, and guest artists, writing practices seminars, unique electives, guided fieldwork residencies, and personalized faculty mentorships, you’ll join a community of writers invested in transdisciplinary experimentation and a rigorous study of literary arts.

Our program supports your development of a writing process that takes into account the material and technological aspects of writing, the human body that produces it, and the larger social, sexual, historical, economic, racial, and cultural contexts in which and through which all imaginative writing takes place.

The Experience

student in library, reading books, doing possible research

Transdisciplinary, socially engaged, and deeply personalized, our tight-knit writing community values a plurality of voices and approaches to writing, both on and off the page.

The program resides on Pratt’s Brooklyn campus, where Writing students enjoy dedicated 24/7 work spaces with desks, comfortable furniture, computers, free printing, art supplies, and a library of faculty, student, and alumni publications.

Pratt’s M.F.A. in Writing can be completed in four semesters of full-time study. We fund our students equally: for more information about student funding resources, please contact the program.

The Writing Studio

The Writing Studio lives at the center of our curriculum. Meeting weekly and co-led by collaborative faculty, studio is a scene for collective reading, study, inquiry, and critique. Breaking from traditional workshop norms, studio is a space of cross-genre, multimodal practice and experiments in pedagogy. Studio also includes our revision lab, in which a faculty member meets one-to-one with each student for post-critique reflection and manuscript review.

Mentored Studies

Through our Mentored Studies sequence, you and a faculty mentor will engage in regular, deep conversations throughout your time in the program. Your mentor will support the expansion of your writing practice and facilitate your thesis project. Past mentors include Anna Moschovakis, Sharifa Rhodes-Pitts, Mirene Arsanios, Ellery Washington, and James Hannaham.

Electives

You’ll participate in fascinating, small-sized seminars with our faculty in subjects such as multilingualisms, small press, ecopoetics, and experimental prose. You can also take advantage of space in our curriculum to pursue courses in Pratt’s celebrated art, design, and media studies programs, or to design your own custom independent study. Browse the full list of Writing MFA elective courses.

Publishing Collective

Each year, under the guidance of a faculty advisor, a self-selecting group of MFA students collaborates to solicit, edit, design and publish chapbooks by students enrolled in the program. These publications are celebrated in a culminating event, and are also distributed at local Brooklyn bookstores.

Fieldwork Residencies and Research Opportunities

Through the fieldwork course sequence you’ll study social practice methodologies and carry out a self-designed creative residency in collaboration with a literary institution, community organization, archive, or activist group of your choice. Past fieldwork sites include Wendy’s Subway, Nuyorican Poets Cafe, and The Poetry Project.

MFA Writing students also frequently pursue individual research projects supported by the program and by Pratt’s Graduate Student Engagement Fund. With GSEF support our students have mounted gallery exhibitions, shot films, and traveled internationally to develop research archives for their creative projects.

The Thesis

Supported by your mentor, thesis advisor, and other faculty readers, your studies will culminate in the creation of a full-length manuscript, with the freedom to incorporate multimedia, performance-based, or collaborative elements.

Our Faculty

The Writing MFA faculty work as a pedagogical collective to support your writing process and goals. Distinguished and daring writers, artists, researchers, translators, and editors, they bring diverse views, methods, and perspectives to creating the environment in which you’ll study and create. See all Writing faculty and administrators.

  1. Christian Hawkey

    Professor

  2. Christopher Perez

    Visiting Professor

  3. Sharifa Rhodes-Pitts

    Assistant Professor

  4. Laura Elrick

    Associate Professor

  5. Anna Moschovakis

    Adjunct Associate Professor – CCE

  6. James Hannaham

    Professor

  7. Youmna Chlala

    Professor

  8. Mirene Arsanios

    Adjunct Assistant Professor

  9. Rachel Levitsky

    Professor

  10. Ellery Washington

    Associate Professor

  11. Hannah Assadi

    Visiting Instructor

A group of people stand in front of a projector screen as they attentively look at book being held by the person in the middle.

Our Alumni

Pratt’s distinguished alumni are leaders in an array of fields. They publish widely and have been awarded prestigious literary prizes. Their innovative work addresses critical social and political questions that reimagine our world.

Where They Work

  • Jive Poetic, Friday Night Curator, Nuyorican Poets Café 
  • Erika Hodges, Law Clerk, Orleans Public Defender’s Office
  • Alysia Slocum Laferriere, Editorial Fellow, Litmus Press
  • Ahana Ganguly, Assistant Editor, Futurepoem Books
  • Mahogany L. Browne, Executive Director, JustMedia
  • Irene Lee, Co-Founder, Boar Hair Books and Oreades Press 
  • a.Monti, Editor at Litmus Press
  • Angela Abiodun, Program Manager, The Octavia Project
  • Zora Iman Crew, actor in The Daphne Project (2021), Planet X (2018)  and The Legends of Sleepy Hollow (2021)

Publications and Awards

  • Alisha Mascarenhas, author of A Catalogue of Risk (Wendy’s Subway, 2024), winner of the Carlyn Bush Award
  • Stephon Lawrence, author of u know how much i hate being in social situations (Futurepoem, 2023)
  • Hamid Roslan, author of parsetreeforestfire (Ethos Books, 2019), Shortlisted for the Singapore Literature Prize for Poetry 2020 
  • Mahogany L. Browne, author of Woke Baby (2018, Macmillan) Chrome Valley: Poems (National Geographic Books, 2023), Vinyl Moon (Penguin, 2022), and others
  • a.Monti, author of Mycelial Person (Vegetarian Alcoholic Press, 2021)
  • Jive Poetic, showcased on TVONE’s Lexus Verses and Flow, PBS News Hour, and BET
  • Irene Lee, co-author of Six Endings and Some Beginnings (Ordeas Press, 2022)

Our Stories

Ready for More?

HERE’S HOW TO APPLYOUR CAMPUS & BEYOND
Join us at Pratt. Learn more about admissions requirements, plan your visit, talk to a counselor, and start your application. Take the next step.You’ll find yourself at home at Pratt. Learn more about our residence halls, student organizations, athletics, gallery exhibitions, events, the amazing City of New York and our Brooklyn neighborhood communities. Check us out.
@prattwriting
Writing at Pratt

@prattwriting

  • Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito.
Sarina’s curatorial statement below:

This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
  • Our student pub night this week has been postponed til late April. Stay tuned for details!
  • @prattler is having its first Speakeasy March 29, Saturday, 7pm, @DGT Gallery House 272 Clinton Ave, Brooklyn NY. The event will feature live performances, including poetry or other creative writing readings, as well as acoustic music. A vending table will be available for artists selling their zines or other works. The space offers a chic dimly lit atmosphere with floor seating on pillows, creating an intimate and welcoming environment. Light snacks and refreshments will be provided along with free copies of the new Spring 2025 New York Minute Issue!
  • EDIT: postponed til April! 

come eat some food and flip through some mags at our celebration of student publications on march 26th! This is a great opportunity to chat with the editors and creators of these publications if you’re interested in joining, or taking an associated class in the fall.
  • Happy Tuesday Takeovers! Today I talked to Sarina ( @sarina_g2 ) about Fieldwork. 

Fieldwork is a course designed for BFA Writing students (and occasionally students from other departments) who choose to pursue an independent fieldwork project that relates to an area of professional or artistic development that they want to gain new skills and experience in. Fieldwork allows the student to design a semester-length project with the supervising instructor in light of the students’ goals, which otherwise aren’t reflected in an existing course or internship.
  • Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
  • More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
  • Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
  • Via the Writing Studio’s co-instructor Samantha Hunt (@sammiejhunt), here are some photographs of the first-year MFA candidates’ field trip to @bklynlibrary to see the James Baldwin exhibit!
Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito.
Sarina’s curatorial statement below:

This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito.
Sarina’s curatorial statement below:

This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito.
Sarina’s curatorial statement below:

This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito.
Sarina’s curatorial statement below:

This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
Some images from @sarina.writes ’s open ended performance in Cannoneer last month, featuring work by Sarina as well as from fellow Pratt students Miles Albright, Sherry Lin, Megan Butler, and Rachel Genito. Sarina’s curatorial statement below: This performance was meant to allow artists the chance to “play with their artwork again. They all worked to the prompt of converting what is 2D to 3D or experiment with the boundaries of physical art, virtual, or other transitional forms. How can one transition from painting to poem? How can a work of art move fluidly throughout space without changing entirely what the original piece was. Or maybe it does change, but does that mean it has to be classified as a different artwork? Labeling & critique of artwork has created a kind of pressure to conform to one disciplinary or present in an acceptable style. Some photographers have expressed that a lot of their study requires knowing how to display photos in the “right way” rather than focusing too much on the details of the image. Art should be freeing and playful again. Thank you to all who participated.
1 day ago
View on Instagram |
1/9
Our student pub night this week has been postponed til late April. Stay tuned for details!
Our student pub night this week has been postponed til late April. Stay tuned for details!
1 day ago
View on Instagram |
2/9
@prattler is having its first Speakeasy March 29, Saturday, 7pm, @DGT Gallery House 272 Clinton Ave, Brooklyn NY. The event will feature live performances, including poetry or other creative writing readings, as well as acoustic music. A vending table will be available for artists selling their zines or other works. The space offers a chic dimly lit atmosphere with floor seating on pillows, creating an intimate and welcoming environment. Light snacks and refreshments will be provided along with free copies of the new Spring 2025 New York Minute Issue!
@prattler is having its first Speakeasy March 29, Saturday, 7pm, @DGT Gallery House 272 Clinton Ave, Brooklyn NY. The event will feature live performances, including poetry or other creative writing readings, as well as acoustic music. A vending table will be available for artists selling their zines or other works. The space offers a chic dimly lit atmosphere with floor seating on pillows, creating an intimate and welcoming environment. Light snacks and refreshments will be provided along with free copies of the new Spring 2025 New York Minute Issue!
7 days ago
View on Instagram |
3/9
EDIT: postponed til April! 

come eat some food and flip through some mags at our celebration of student publications on march 26th! This is a great opportunity to chat with the editors and creators of these publications if you’re interested in joining, or taking an associated class in the fall.
EDIT: postponed til April! come eat some food and flip through some mags at our celebration of student publications on march 26th! This is a great opportunity to chat with the editors and creators of these publications if you’re interested in joining, or taking an associated class in the fall.
2 weeks ago
View on Instagram |
4/9
Happy Tuesday Takeovers! Today I talked to Sarina ( @sarina_g2 ) about Fieldwork. Fieldwork is a course designed for BFA Writing students (and occasionally students from other departments) who choose to pursue an independent fieldwork project that relates to an area of professional or artistic development that they want to gain new skills and experience in. Fieldwork allows the student to design a semester-length project with the supervising instructor in light of the students’ goals, which otherwise aren’t reflected in an existing course or internship.
2 weeks ago
View on Instagram |
5/9
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
Even more stunning photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi ❤️
3 weeks ago
View on Instagram |
6/9
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
More gorgeous photos from @andrewriad and the second-year MFA cohort’s residency at @art_omi 🌹
3 weeks ago
View on Instagram |
7/9
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
Another lovely dispatch from @andrewriad, who is on the second-year MFA in Writing candidate retreat at @art_omi in Ghent, NY this week with fellow second-year candidates Jack and Caitlin (see slide 10). Stay tuned for more updates soon! ❤️
3 weeks ago
View on Instagram |
8/9
Via the Writing Studio’s co-instructor Samantha Hunt (@sammiejhunt), here are some photographs of the first-year MFA candidates’ field trip to @bklynlibrary to see the James Baldwin exhibit!
Via the Writing Studio’s co-instructor Samantha Hunt (@sammiejhunt), here are some photographs of the first-year MFA candidates’ field trip to @bklynlibrary to see the James Baldwin exhibit!
Via the Writing Studio’s co-instructor Samantha Hunt (@sammiejhunt), here are some photographs of the first-year MFA candidates’ field trip to @bklynlibrary to see the James Baldwin exhibit!
Via the Writing Studio’s co-instructor Samantha Hunt (@sammiejhunt), here are some photographs of the first-year MFA candidates’ field trip to @bklynlibrary to see the James Baldwin exhibit!
3 weeks ago
View on Instagram |
9/9

From the Catalog