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Collective Mobilities

By Alex Strada

Drawing from my ongoing role as the Public Artist in Residence with the NYC Department of Homeless Services and Department of Cultural Affairs, I organized Collective Mobilities, an exhibition that was on view at the Dekalb Gallery from February 3 through March 9, 2025. The project facilitated mutual aid and redistribution in support of Pratt's neighbors experiencing homelessness, including asylum seekers.

Homelessness is often stigmatized and framed as a problem to be solved by city agencies alone. This exhibition challenged that perspective, emphasizing the shared responsibility of New Yorkers to address homelessness amidst the rampant dehumanization of people dealing with housing insecurity, including asylum seekers. By forging partnerships among students, mutual aid groups, city workers, and researchers, Collective Mobilities demonstrated the transformative potential of creative, community-driven care.

A photo of a modular, mobile structure composed of colorful wardrobe-like units on wheels, placed outdoors in front of a building with large windows. Each unit is a different color—green, orange, red, blue—and contains clothes on hangers and potted plants, blending utility with artistic design. The setting appears to be a public art installation or a community-oriented event.
A detailed view of the back side of the modular units, highlighting the rounded geometric forms, chrome finishes, and attached potted plants. The mirrored panel on one segment reflects the snow-dusted pavement, while others are adorned with hanging and potted greenery, emphasizing an integration of utility, aesthetics, and nature.
A photo of a modular, mobile structure composed of colorful wardrobe-like units on wheels, placed outdoors in front of a building with large windows. Each unit is a different color—green, orange, red, blue—and contains clothes on hangers and potted plants, blending utility with artistic design. The setting appears to be a public art installation or a community-oriented event.
A straight-on view of the same modular mobile units closed, forming a colorful sequence of geometric wardrobe structures on wheels. Arranged in a line, they appear unified in design with consistent handles and potted plants on top, situated outside a building with reflective glass windows and a snowy ground.
A group of people interact with the colorful mobile wardrobe units on a city street corner under the sign for Washington Avenue and Park Avenue. Each person appears to be pushing or observing a unit, which are lined up in sequence, suggesting a community procession, public demonstration, or collaborative design performance.